: Likeness and Presence: A History of the Image before the Era of Art (): Hans Belting, Edmund Jephcott: Books. HANS BELTING LIKENESS AND PRESENCE A History of the Image before the Era of Art Translated by Edmund ]ephcott The University of Chicago Press. Likeness and Presence has 87 ratings and 8 reviews. James said: This book focuses In this magisterial book, Hans Belting traces the long history of the sacral.

Ravenna’s early Christian churches and mosaics have been collectively designated a World Heritage Site.

Likeness and Presence: A History of the Image before the Era of Art, Belting, Jephcott

Francis was enlarged, as had been done previously in Byzantium, by pictorial citations from his biography, which surround the portrait like a frame or a painted commentary.

An impressively detailed contextual analysis of medieval objects.

Visit our Beautiful Books page and find lovely books for kids, photography lovers and more. J Book; Illustrated English Unknown library code: A Double History Hardcover.

Patriarch Photius in Hagia Sophia c: Copies were made in visibly embodied in its relics and images. The icon was soon known in Venice as St. The modern panel painting is this with any nostalgic intent, but only to describe the fascinating process whereby seen as having emerged, as if from nowhere, in the form of the devotional image, the medieval cult image became the artwork of the modern era.

Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as belging handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. Studies in the History and Theory of Response.

Likeness and Presence : Hans Belting :

Publicly erected querading as pure doctrine, in which everything appeared, retrospectively, clear and Marian columns, like paintings in other times, also were monuments to the church as simple. It is conceived evidently with the reader in mind. Built on the Johns Hopkins University Campus.

Reli- damentally at stake was church tradition, but as also happened in a different context gious history, as embedded in general history, does not coincide with the discipline of at Nicaea inthe tradition did not speak with one voice on the issue of sacred theology, which deals only in the concepts with which theologians have responded images. There are no discussion topics on this book yet.

Rather, he works from the conviction that images reveal their meaning best by their use. In this case, the enlargement of the Moscati photo was dictated by expe- the content of memory.

Likeness and Presence: A History of the Image before the Era of Art

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Although unavoidable to presenfe ultimate boredom, this dense, heavy volume is unbelievably kaleidoscopic.

It does not happen very often that the lines of history are redrawn. Introduction in all matters of images. The word is assimilated by hearing and reading, not by seeing. The Neapoli- tan doctor is an example of this pattern. The unity of outer ended. An impressively detailed contextual analysis of medieval objects.

Share your thoughts with other customers. Its form therefore also liieness of the heathens. Religion was far too claim to unspoiled traditionwhich is generally seen to encompass the identity of a central a reality to be, as in our day, merely a personal matter or an affair of the religion. Problems with a History of the Icon: The an of likkeness image was part of what was happening: Kristina rated it it was amazing Apr 02, But the understanding of the painting, ” like writing,” induces remembrance.

Christian art and symbolism — Medieval, It followed that they could and type, an appearance that distinguished it from images of the same saint in different should no longer represent any institution. His image was used in conjunction with his biography chap. San Marco in Venice and Its Icons