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Omega, written by astronomer Camille Flammarionis no less than an epic history of our future-a startling and unforgettable vision of the end of the world. Reasoned scientific speculation combined with probing philosophical inquiry lend credibility and magnitude to this tale of how humankind will physically and culturally evolve over the next several million years. The end begins in the twenty-fifth century, when a comet threatens to collide with the earth.
The consequences of that frightening cosmic event are far-reaching, setting in motion a series of physical, psychic, and social changes that will profoundly affect the planet and its people far into the future. The earth’s surface drastically transforms over time. Cultures radically alter, collapse, and fade away.
Nations rise and fall, species become extinct, and human beings find themselves at the end of the world, alone and changed in fundamental ways. This melancholic, poetic science fiction tale of things to come is as compelling and disturbing today as when it was first written. Camille Flammarion was a well-known French astronomer and writer who popularized science in the late nineteenth century.
Robert Silverberg, an acclaimed science fiction writer, is the recipient of many awards, including multiple Hugo and Nebula awards.
Flammarion engraving
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Was French astronomer Camille Flammarion the founding father? Over 40 years before John W. Campbell took the helm of Astounding SFFlammarion was extrapolating fiction from the most advanced science of his day flavoring it occasionally with transcendental fantasy, a practice not unknown to modern hard SF. He wrote several works of science fantasy, most notably an apocalyptic, visionary novel, Omega: Four decades before Olaf Stapledon’s Last and First Men was published, Omega unfolded a future history that traversed millions of years to the end of the earth and beyond.
But Omega received only two English-language printings. Now Flammarion’s seminal novel has been rescued from oblivion, and it deserves a place in the library of every famille student of SF. But whether modern SF fans will enjoy reading Omega is lirvos matter. Flammarion writes in a leisurely, expository 19th-century style, and he is no Charles Dickens. His opening chapter threatens a comet strike that isn’t delivered for more than half the book!
However, the pace does pick up considerably in chapter 6 to which bored readers should immediately turnand the remainder of his future history is interesting and inventive. Compartilhe seus pensamentos com outros clientes.
Camille Flammarion was a French astronomer and a prolific author who wrote both scientific texts and popular literature. The Last Days of the World. Flammarion was a contemporary of Jules Verne, and both were pioneers of the science fiction novel.
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Judging by Omega, however, Flammarion is less interested than Verne in telling a crowd-pleasing story, and more concerned with educating people about science. Flammariin have sighted a comet hurtling towards the Earth from the deep reaches of space. Intricate mathematical calculations determine that this comet will pass frighteningly close to our planet, perhaps even colliding with us.
Outside in the streets, humanity desperately awaits their verdict on the future of our world.
All of this takes place in the 25th century. As described lviros, various dignitaries make their speeches, but Flammarion usually refers to the human race or the clammarion of Paris as a whole.
Mostly he describes the scientific properties that govern the Earth and the Universe. He explores every possible outcome of the comet collision, as well as speculating what the end of the world will look like if nature is allowed to run its course. Needless to say, the science is not always accurate. Mars is still described as having seas.
Geology is discussed with no awareness of plate tectonics. Flammarion describes the burning of the sun entirely in mechanical non-nuclear terms.
Omega: The Last Days of the World - Livros na Amazon Brasil-
Despite these forgivable inaccuracies of a century ago, the novel succeeds in inspiring a wonder for science and the marvelous workings of the natural world. Towards the end he includes some romantic passages that unfortunately betray the relentlessly rational, materialistic approach established throughout. It will not disappoint. Four hundred years from now the population of Earth awaits a comet whose coming is feared to mark the end of all human life.
How this will happen exactly is a matter of speculation.
Among the thinkers of this 25th century society debate rages over whether we will burn, freeze, suffocate or drown. It just so happens that the human race survives, and the end of the world, eagerly awaited throughout history, is postponed yet again.
The Earth goes on to become an ancient planet, undergoing all manner of metamorphoses, spawning countless civilizations which flourish and die. Over millions of years physical and mental changes ensure humanity evolves into a species far superior to its hopelessly inadequate ancestors before passing away, leaving the Earth a barren husk studded with the ruins of an earlier age.
While we are burdened with the knowledge that all things pass, we take comfort in knowing that creation is neverending. The illustrations in “Omega” are good, though a couple are vaguely amusing. One can’t help grinning at the fleet of aircraft that resemble flying sail boats.
I suppose people in the 25th century will feel the same way when they look back at the SF illustrations ligros in the late twentieth. Maybe “Omega” would seem less dated without the illustrations, although some of the science described in the writing is also inaccurate. As Einstein once said, imagination is more important than knowledge, and this book is without question imaginitive.
It’s always ironic when a “groundbreaking” work gets its inspiration from an earlier, more obscure source; just as an inventor gets the credit for someone else’s idea, so too an original novel lies forgotten in the wake of its more popular successor. It might seem a bit deep for those looking for a gripping story with interesting characters. In terms of scope and vision, “Omega” is in the same class as anything written by H.
Um cliente 4,0 de 5 estrelas Olaf Stapledons Last and first men copied this work. This is a rather wonderful old frensh sf novel from the last years of the 19th century. Flammariion was a great hit in Scandinavia in danish and, I believe luvros translations cmaille the s. Very nice pictures too.
The story falls in two parts. The first part is about an end-of-the world-s care a few centuries in the future, when astronomers find out helped by a message form Mars! The second part is a future history from after the comet hit to the REAL end of life on Earth, millions of years in the future. A very nice story - thoroughly dated, but still a great read, if you got the temper for this kind of thing. And it is quite obvious that Stapledon had read Flammarions future history when he wrote his great masterpiece”Last and first men”.
This wonderful book was first published in in French. It was very popular in its time and has been translated to 11 languages. The English translation of has been reprinted only once. I first read this book in a Foreign language edition a number of years ago, and since then, I have been waiting for a new English edition. This book predates a number of similar apocalyptic novels published later. It served as a source of inspiration for a number of authors such as Jules Verne, H.
Wells, and Olaf Stapledon. You will find many similarities. Formas de pagamento aceitas: Rastreie seus pedidos recentes. Visualizar ou modificar seus pedidos em sua conta.