FREDERIC ZIGANTE VILLA LOBOS PDF

Jun 02 2020
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Listen to Villa-Lobos: Complete Solo Guitar Works by Frédéric Zigante on Deezer . With music streaming on Deezer you can discover more than. View credits, reviews, tracks and shop for the CD release of Villa-Lobos: Complete Guitar Music on Discogs. Find album reviews, stream songs, credits and award information for Villa-Lobos: Complete Guitar Music [ Recording] - Frédéric Zigante on AllMusic -

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Community Links Countries Recording Services. During the next two months I will be preparing a new repertory for my CD recordings and I will be working on my critical edition of Villa-Lobos’ Etudes. Is there a crisis?

Villa-Lobos: Complete Guitar Music

You are given the position of artistic director of a concert hall. If a perfomer has nothing to say and simply plays the music, he should stay home. I am a little bit annoyed by crossovers but I do realize that it is just a fashion that will pass without too many damages.

False, the only thing about which people need to be educated is listening with curiosity: I haven’t noticed any crisis. And yet, he is by no means an izgante.

What really makes the difference is the music that is written for it. My father and my brother Manuel.

Guitar » Classical Guitar, Villa-Lobos (composer) (page 1 of 3) | Presto Sheet Music

A good live performance requires good technical standards and acceptable contents for the audience. What would be on your program for this season? Complete editions are Frederic Zigante’s specialty: There are still so many works to be discovered and recorded even for instruments like the guitar.

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What or who was your biggest influence as an artist? I live between two beautiful Italian towns: Behind this desire for integrity hides no pathologically prolific mind, but a man who searches for profundity and who wants to use the power of interpretation to the good.

This is the way to discover beauty in all music, not only classical. People need to be educated about classical music, before they can really appreciate it.

The latter implies lobox Zigante eschews or may we even say “despises” the modern-day tendency to submit a Classical works to the arbitrariness of subjectivity, to change it, alter it or even leave out certain passages for more easy digestability.

About Our aim The team History. You need to see the whole picture here - after all, that is what Frederic Zigante is all about.

Someone who takes care of other people’s problems. An interpreter’s task is to give life to emotions that are latent in the musical text not only to play them! What do you tell them?

In essence, cilla tendency for established values and the ongoing fascination for the infinite possibilities within the purity of a piece is not a sign of conservatism - but rather of class. This is how an interpreter and a composer can cope to “travel” together without any conflict. The one that mediates between the written text and the auditors.

With a clear mind, he recognises current cross-over tendencies and hip genre-bending see his answers to our Festival-question! What really matters is to transmit emotions and feeling. But I know that I shall certainly not: If yes, how good were you at it? It is necessary to know exactly what the composer intended but this isn’t always possible on the only basis of the written text. How do you balance the need to to put your personal emotions into the music you play and the intentions of the composer?

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But his power can be negative and he can destroy music, modify it or misinterpret it. After this reserach I bring out my personal emotions on the condition that they do not affect the composer’s idea. I play both baroque and classic guitar and I consider them two different instruments.

An interpreter has a great power in his hands because without him the work has no life and can’t be heard.

Have you ever tried playing a different instrument? This is what some performers do sometimes, they even cut off some parts of the works! First I need a contract then I shall begin thinking about zigamte Interpretation is a task: The hardest part about being a musician is to often be alone and the best is to get emotion during a performance.

How would you describe the ziganhe with your instrument? What constitutes a good live performance in your opinion? Just imagine what would happen if someone went to a museum and decided to change the colors on a painting: I would probably be a medical doctor or a politician.